Skip to main content

Une Semaine de Bonte Story (1 Point)

 Thursday, The Rooster's Laughter

A woman selling the eggs of chickens is approached by a small rooster. With eyes on the woman, the small rooster communicates with a looming, large rooster man, who takes her and kills her. Laying her out on a bed, he gets her ready for her casket, which he and another rooster-man in black lower her into a hole in the ground. Present for the lowering, a naked lady watches. While the two rooster-men decide on the garments of the woman, other dazed women lament the death of the one in the casket, knowing their fate could come to the same conclusion. In the bed chambers, two roosters stand next to and over the corpse of a woman whose fate had come to such a conclusion, while in another room, a woman appears to adorn the outfit of a rooster who stands in the nude behind her. At another area, a hen-woman who is armed with a stick accompanies by two distraught women. Later that night, the women hide with a crane from a naked rooster man, but he finds them when they drop their candle and start a fire. In an attempt to escape, they dress as rooster-men and try to drag already dead women from their inevitable fate. As many women try to escape on a train, naked rooster-men grab and force the women from the safety of the train, afterwards torturing and killing them. After a battle where both rooster-men and women show off their kills, the rooster-men claim their territory with a flag raised over the city. 



Thursday, Easter Island

The Maoi heads are men that want to have claim over women. They take control over their hair, their relationships, their bodies. Yet, they can go get drunk and afterwards rape as they please. But standing together, the women fight back, bringing the Maoi head to his knees and showing him a skeleton to provide a clue as to what will happen to him. 

Comments

Popular posts from this blog

The History of Comics: The Loss of Ownership (3 Points)

 One trend that I felt was interesting, albeit upsetting, was that with the incentive of making money by creating comics, the lines of ownership of the artist's creation seem to blur. Of course, other factors lead to the uncertainty of giving credit where credit is due, such as having multiple people working towards one comic. However, I feel that when comics became more mainstream, companies valued the income that comics made over the treatment of the artist that created them. In particular, on pages 109 and 110 of The Comic Book History of Comics that Marvel allowed for the continuation of Stan Lee as the sole credit of their comics for quite some time, leaving artists like Steve Ditko and Jack Kirby unhappy with their lack of recognition. Marvel (and Stan Lee) made profit off of Stan Lee's rise to fame, practically letting people believe he was a genius for creating such works by himself. In actuality, talented artists were drawing and plotting the comics while Stan sometime...

My Favorite Thing is Monsters (6 Points)

For the week that we read these, we were asked to discuss whether the comics we read should be considered literary or not. My first reaction was to break down what made something 'literary'. I was inclined to say that as long as something had words and was telling a story with some amount of depth, then that was what I considered literary. However, I realized while talking with team members about this question that I had a new consideration of literary comics. I like to think of comics the same way I think about art, and that is that anything can be art. I do not think that we have to tie down the constraints of what is and is not literary because that can put writers who just want to create into a bubble. Whether I used my old definition or my new definition, I think My Favorite Thing is Monsters is definitely a literary comic. It masterfully uses its media to tell a fantastic and relatable story. Everything about the comic felt real and was very engaging, the art felt in sync...

American Born Chinese (3 Points)

 I read American Born Chinese about two years ago for the Asian and Asian American Diaspora LMST Class, but I did not quite remember everything that happened, so I decided to read it again. While there are seemingly three story lines, they all merge into one at the end, which caught me off guard again the second time reading it. I definitely think this fits into the category of literary comics. Not only does it have great writing, it tells a compelling story that really makes the reader stop to think. While I cannot say that I relate to this story in the same way, I can see how this story could be relatable. I feel like this is an important novel that everyone should take a second and read. I also really enjoyed the pacing of this novel, both in the sense of the three stories coming together as one and in the panel by panel framing of the scenes. The writer understands well how to use blank panels and pages.