For the week that we read these, we were asked to discuss whether the comics we read should be considered literary or not. My first reaction was to break down what made something 'literary'. I was inclined to say that as long as something had words and was telling a story with some amount of depth, then that was what I considered literary. However, I realized while talking with team members about this question that I had a new consideration of literary comics. I like to think of comics the same way I think about art, and that is that anything can be art. I do not think that we have to tie down the constraints of what is and is not literary because that can put writers who just want to create into a bubble. Whether I used my old definition or my new definition, I think My Favorite Thing is Monsters is definitely a literary comic. It masterfully uses its media to tell a fantastic and relatable story. Everything about the comic felt real and was very engaging, the art felt in sync with the tone of each part, and the writer made a story that could relate to many kids growing up. I think what struck me the most was how the main child was portrayed. As the comic went on, I forgot that she was not actually a monster and that that was just how she imagined herself. The way she saw herself became how I saw her, so it was a harsh reminder when her brother made her look at herself. I think the way she felt is very relatable for kids who grew up different from those around them, including me, so I really related to this.
One trend that I felt was interesting, albeit upsetting, was that with the incentive of making money by creating comics, the lines of ownership of the artist's creation seem to blur. Of course, other factors lead to the uncertainty of giving credit where credit is due, such as having multiple people working towards one comic. However, I feel that when comics became more mainstream, companies valued the income that comics made over the treatment of the artist that created them. In particular, on pages 109 and 110 of The Comic Book History of Comics that Marvel allowed for the continuation of Stan Lee as the sole credit of their comics for quite some time, leaving artists like Steve Ditko and Jack Kirby unhappy with their lack of recognition. Marvel (and Stan Lee) made profit off of Stan Lee's rise to fame, practically letting people believe he was a genius for creating such works by himself. In actuality, talented artists were drawing and plotting the comics while Stan sometime...
Comments
Post a Comment